Create a 10-second, 16:9 retro fashion-editorial film with five shots in this exact order: wide shot → facial close-up → medium shot → oar-blade close-up → wide shot.
REFERENCE MAPPING
Use only for the woman's identity, long chestnut waves, cobalt-blue pantsuit, ivory top and oxblood shoes. Show one woman, never the character-sheet layout.
Use for the distant, left-facing boat, boathouse architecture, lighting and rich colors. Treat it as a location reference; the woman is already seated and rowing in the opening shot.
VISUAL STYLE AND CAMERA
Rich golden-ochre plaster, dark-green shutters, petrol-teal water and cobalt-blue tailoring. Soft directional daylight, tactile wool and varnished wood, subtle color-negative film texture. Maintain consistent color and exposure across cuts.
Shoot every shot from the SAME SIDE of the boat. Keep the camera perpendicular to the boat’s length: strict side profile, including a profile view of her face. Do not orbit, cross the action axis, or switch to frontal or three-quarter angles.
The pointed bow faces SCREEN LEFT. The boat travels LEFT, parallel to the facade. She sits on the central fixed rowing bench facing the stern, SCREEN RIGHT, opposite the direction of travel. Track left alongside the boat to keep the subject centered. Change shot size through cuts, not zooms.
ROWING ACTION
She rows continuously with confident, brisk strokes, approximately one complete cycle every two seconds. Use natural real-time motion, not accelerated playback. Both oars pivot in fixed oarlocks: blades enter together, push water toward the stern, lift clear, feather flat, then recover.
Her feet remain braced and the seat stays fixed. Arms and a controlled forward-backward torso hinge provide the effort. Show visible leftward travel and a wake trailing right. Cuts continue the ongoing action rather than restarting each stroke.
0.0–2.0s — DISTANT WIDE SHOT
Show the complete boat in strict side profile, occupying approximately 38% of the frame width, centered slightly below the middle. Establish the broad ochre facade and generous foreground water. She is already rowing briskly. Track left at the boat’s speed, keeping it centered as the windows slide right behind her. Begin immediately with a crisp splash, warm bass and a 120-BPM vintage percussion groove.
2.0–3.2s — PROFILE EXPRESSION CLOSE-UP
Hard cut to her face in clear side profile from the same side. Continue tracking left with the boat. She looks screen-right with focused eyes and a relaxed mouth, exhaling lightly with the effort. Long hair moves gently toward the stern. Her shoulders continue the rowing motion; she never pauses to pose or turns toward the camera. The ochre wall passes softly behind her.
3.2–5.4s — SIDE MEDIUM SHOT
Hard cut to a strict side medium shot including her head, torso, hands, handles and central seat. Track left alongside her. Show a brisk rowing cycle: arms extend, blades catch, handles draw toward her lower ribs, torso hinges slightly backward, hands lower to lift the blades, then arms extend into recovery. The blue jacket folds naturally at elbows and shoulders. Continue smoothly from the previous shot.
5.4–7.0s — OAR-BLADE CLOSE-UP
Hard cut to the near-side blade and water, lowering the camera while remaining on the same side. Track left with the boat. The blade catches firmly, pushes water toward the stern, raises a compact splash, then lifts and feathers as droplets fall. Show believable water resistance and movement around the fixed oarlock. Emphasize the synchronized entry and release sounds; briefly lower the music beneath them.
7.0–10.0s — RETURN TO DISTANT WIDE SHOT
Hard cut back to the opening side-profile wide composition, the boat again approximately 38% of frame width. Continue tracking left at matching speed. She keeps rowing briskly without resting. The facade moves right behind her and a longer, finely rippled wake trails the stern. End with a clear blade entry and a musical accent while the boat remains in motion.
Use clean hard cuts connected by continuous action and water sounds. Preserve the same face, long hair, suit, boat, two oars and leftward direction. No dialogue, captions, logos, additional people, orbiting camera, frontal portrait, slow motion or speed ramps.